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Glazing can be either glass or acrylic. Only glass should be used with any friable media such as unfixed pastels, charcoals, or graphite, never acrylic as it can damage oil the work by attracting these materials. There paintings and oil are many brands of acrylic glazing to choose from; one with an ultraviolet filter is recommended. The frame and the mat should be deep enough paintings and oil to prevent paintings the artwork from touching oil the glazing. A stiff backboard behind the mat protects and supports the matted artwork. It is best to use non-acidic boards. A dust seal with paper or tape is also recommended. What damage results from using poor quality mat board? Avoid mat boards containing wood pulp which causes "matburn"--a darkening of the paintings paper under the mat or at the bevel cut of the window oil mat. This type of stain permanently weakens the paper fibers and is not easily removed or lightened in conservation treatment.

Who am I? I am an Estonian too, my name is Jüri Ülesoo. On the photo you see me with my dog Josper. I''m paintings not really the artist but I like art. Some years ago I made some oil paintings but not now. I''ll try to be the curator for some Estonian artists on the Internet and here you see my first step - Navitrolla''s Gallery (thanks to Lile Elam and Art on the Net). The problem is that few Estonian artists have computers, good communication connection and time to learn and use it. I want to show their works to the whole world oil and the Internet is the best tool for it. Until the artist has his (her) own Internet paintings connection and e:mail address I will be mediator for him. So, oil you can e:mail your opinions to me and I will give them to the artists. During the "day" I work as a Marketing Manager paintings and oil in the Estonian, paintings Latvian oil and Lithuanian area for Finnish concern VALMET (for Valmet Automation - producer of process automation systems). I am a member paintings of Lions Clubs International.