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Who am I? I am an Estonian too, my name is Jüri Ülesoo. On the photo you see me with my dog reproducedoilpaintings Josper. I''m not really the artist but I like art. Some years ago I made some oil paintings but not now. I''ll try to be the curator for some Estonian artists on the Internet and here you see my first step - Navitrolla''s Gallery (thanks to Lile Elam and Art on the Net). The problem is that few Estonian artists have computers, good communication connection and time to learn and use it. I want to show their works to the whole world and the Internet is the best tool for it. Until the artist has his (her) own Internet connection and e:mail address I will be mediator for him. So, you can e:mail your opinions to me and I will give them to the artists. During the "day" I work reproducedoilpaintings as a Marketing Manager in the Estonian, Latvian and Lithuanian area reproducedoilpaintings for Finnish concern VALMET (for Valmet Automation - producer of process automation systems). I am a member of Lions Clubs International.

What is the cause of dark spots that sometimes appear on the paper of drawings and paintings? Reddish-brown spots are known as "foxing", caused by mold or the deterioration of the metallic impurities left in the paper from the manufacturing process. Other colors of spots may be one of many types of mold damage. Mold spores are everywhere in the environment, and mold thrives on cellulosic materials, especially in conditions of high reproducedoilpaintings humidity (above 65% of relative humidity). Keeping artworks out of high humidity areas like bathrooms or exterior walls, can help reduce the development of such stains. If I have a work of art on paper that appears to not be flat, should I be concerned? Paper is hygroscopic, reacting to changes in climate by expanding when it is humid and contracting when it is dry. A gentle undulation in the paper called "cockling" occurs under these conditions, especially with larger works. This may impair the reproducedoilpaintings work aesthetically as well as cause mediums such as gouache to crack or flake as it is unable to expand and contract as the paper itself does.

Then Lile got an old unix machine together (being a unix systems administrator, this was fairly simple) and registered art.net with the Internic. Once the domain was created, with the help of friends, she brought up art.net onto the Internet. Lile started contacting artists about the San Francisco Bay Area who might be interested in showing their works on the reproducedoilpaintings Internet and helped them come up on art.net. She visited many cafe''s to see the local artists works and enjoy the coffees. When she saw works she liked, she contacted the artists and offered to help them come up on the Internet and the WWW via art.net. Many artists took the plunge and are now resident artists here at art.net. Artists from around the net started hearing about Art on the Net or would discover the art.net web site via the WWW.